Argentina-Resin Release

Argentina  castings now available, $135USD =approx 191.70NZD each including international shipping, ships direct from Seunta.LLC, please contact me via my provided e-mail to purchase.

Argentina is large classic (Breyer size approx 1:12 scale) scale Criollo mare, in garrocha movement.                                                                        She is my second sculpture, I have re-sculpted  more than once until the current  form that I am happy  with.
Sculpted by myself she has now been professionally cast into beautiful shelf worthy resins by Seunta.LLC and these are now for sale. Ready to be painted to any coat colour or pattern you should choose to paint or left sitting on a display shelf.

~each casting will be accompanied by a special Certificate of Aunthenticity designed by myself.
~castings are sent directly from the reputeable company Seunta.LLC in the USA after they have been paid for.
~castings all have my original initial signature ebedded on the underside exactly the same as my original sculpture, to protect against farudulent copies I will not disclose where this signature is.
~Price is a set price that includes international shipping.

Argentina is sculpted in a pose depicted from a single moment in the garrocha performance (vaquero dance on horseback involving a long garrocha pole demonstrating harmony  betweem horse and rider). Although the pose of this sculpture came from one blurry image, as with the majority of my art, many references were used, in this case to create a fully dimesional model I used a lot of equine anotomy references along with videos of horses in movement along with what I already know of horses.

As with all my sculpting the equine form, breed and part of the world they come from is researched and has a major effect on the name given, for this sculpt I wanted to:
◇Attempt a mare.                                                                                             ◇Use a pose I had not yet seen sculpted that had the possibly to be used in more than performance situation for showing                       ◇Most of all I wanted to create a model of a breed that would be more of a challenge to paint, a.k.a loud white markings, and I came across the manchado pattern, the manchado pattern that has only been found in South America around Argentina where the Criollo breed originates.

She had all the extra details one photo can never show such as, chesnuts, female parts, frogs and other details on her bare hooves.



FAQ #2 Can I paint a model “this” colour?

Simple answer Yes!

Explantion: As a child I learned to mix colours and have over the years refined this, in other words so long as I have the primary colours, and shades I can paint any colour however I am lucky and have a few brown variations at my disposal as well. With oils, colours are built in layers, some layers may look really ‘wrong’ to the untrained eye but each layer lends to the overall realistic look I try to give my models. for example Hōiho Silver was created with only the colours below.


One last thing, NO I am not a LSQ painter, yet, for one I am an absolute beginner a) with painting models, b) painting in oils, c)none of my models have sold therefore none have made it to show where they could be judged as such

Thanks for reading stay tuned for my 3rd oil painted Hōiho,  Hōiho Majestic 12 the 2nd

FAQ#1 Why I started sculpting

I started sculpting a) because I had always wanted to paint a blank model horse and never could afford one, b) if I was going to paint a model I wanted it to be one I did because I didn’t like the ones I had seen for sale “BREYER”, c) when I looked into sculpting horses I did find blanks I liked, called “Artist Resin” but they were way more than I could afford and I found that quite a profit was ‘possible’ from making these.

I began sculpting after Christmas 2014 when I was gifted my first super sculpey clay and tools and had already made an armature to use2015-12-21 00.50.25 drawing for the armature and outline of first sculpture, I seem to have lost the actual armature photo.2016-01-14 11.58.402016-01-14 11.58.462016-01-14 11.58.53      The resulting very awkward looking first sculpture “The ROCK” after being cut, hips tilted back, barrel shortened and painted in acrylics.

After the first sculture I found the anotomy of the horse was very important for creating a good sculpture, bone, muscles and then fleshing out, also an armature should be made as if the horse was square and then bent to motion. next came Argentina: Criollo Mare Sculpture 2015 the biggest factor that let this sculpture down was the armature wire I used, it was far too soft (flexible).

After the semi disaster of Argentina came Dadhikra: Marwari Foal Scuplture 2015 . I used copper wire for the main armature and my soft wire to hold the copper wire in place and for the tail. To this day I am still uncertain if I am happy with this model although he sits in half a mold waiting for the other half so he might be cast.

Then came Hoiho 2015 the first “good” sculpture, I decided I wanted to cast this one, I thought he was great. After he took out first place in The Moore Park Beach Art Show and obtaining a (oh so hopeful) “buisness” loan from a family member and researching everything I could about casting, I bought the supplies from Rowe Trading, the only registered stockists of Smooth-On (the recommended brand by established model horse artists) products, and began casting. I got 17 castings with various pinholes to the last to with about 80% of the surface being pitted.

Lesson:1, I have since found talcom powder on its own is the best mold release and the mold should have been cleaned at least a few times between castings. Also a simple basic pressure chamber would have helped with maybe even removed all of the air bubbles.

Lesson:2, Classic scale, 1:12 scale models have recently lost popularity, it seems maybe because there arent enough new models with proper datail in this scale and most showers (where models get most exposure and arists become known) want performance friendly models. “Know your market.”

Lesson:3, I have only sold 2 blanks and have resorted to painting some and even sending two away to a farely big name LSQ artist in America for trade of her painting one and returning it to me to try and gain interest in my work and this model. “Build a clientel and registration of interest before going ahead with casting.”

Thanks for reading, stay tuned for sculpture number 5, Lady Eathelyn a sweet little pregnant Fell pony mare.